Skills & Kit

I enjoy drawing upon the latest technology and I bring a mixture of traditional techniques, along with more modern and advanced production methods, to tell stories in unique and interesting ways. I relish the technical challenges of working with specialist kit and I’m experienced in a wide range of filming techniques.

I’m always seeking to use the most advanced equipment while constantly developing my camera skills: ultra high definition cameras, high-speed / slow-motion cameras and stabilised gimbals both in the air and on the ground. I use these emerging technologies to film fresh and exciting sequences with the ultimate aim of bringing engaging and challenging stories to a wider audience. I am across all modern camera formats especially HD, UHD and 4K set-ups, working with modern large sensor cameras and prime lenses. Key camera skills include: presenter-led sync, hand-held observational, time-lapse, Gimbal work, aerial cinematography, long-lens behavioural work (wildlife).

My Aerial work is facilitated by the 5th Eye crew.  I fly under their CAA permissions with our group insurance and I can supply any drone package required at competitive rates.  Through this association I can also organise an array of other fun toys for mounting cameras to various tracking vehicles as well.  Just ask for more details

http://www.fiftheye.co.uk/

Time-lapse photography is a passion of mine. It is more than just a technique to bring life into landscapes – it’s a powerful tool to create exciting sequences. Using my Canon time-lapse kit, with the Magic Lantern firmware, I utilise the latest processing techniques to produce stunning day-to-night time-lapses with three axis motion control where desired. I aim to create cinematic time-lapses that can be used to lift sequences, or used in their own right as a sequence.

I have a balanced understanding of the whole production process and, with career experiences as a shooter/editor in current affairs, I am used to crafting my footage with the insight of an editor whilst shooting. Editing has also given me a high level of expertise in current file-based media workflows which has proven to be invaluable on shoots as an additional skill. On location I’m confident when directing contributors and I have worked extensively with on-screen talent.

I’m happy to handle basic audio set-ups for shooting and will monitor levels effectively when required. I work well with directors, but also have good experience self-directing having produced many films as a self-shooting director. I have a keen understanding of narrative structure and storytelling, enabling me to make the most out of your sequence. Filmmaking, I believe, is a collaborative affair, and I relish the challenge of pulling all the threads together to produce films that are both informative and entertaining.